Three years in the making, Francis Whately’s film is a social and musical history of (probably) the world’s greatest music festival, as told by its principal curators, Michael and Emily Eavis, and many of the key artists who’ve appeared there between 1970 and 2019 – Billie Eilish, Thom Yorke, Florence Welch, Dua Lipa, The Levellers, Aswad, Orbital, Fatboy Slim, Linda Lewis, Noel Gallagher, Ed O’Brien, Chris Martin, Stormzy and more.
Balancing the driving forces of social conscience and hedonism, Glastonbury has always been both a world apart and a barometer of the state of the nation. Looking at the hippie days, CND, the contribution of the travellers, dance music, Britpop, The Wall, the impact of television and the first black British solo headliner, this film takes viewers backstage and deep into the archive to reveal the forces that have driven this alternative nation between utopia and dystopia, the greatest night of your life and a muddy field in the middle of nowhere.
This is not a chronological plod through the festival’s evolution so much as a thematic and story-driven exploration of the peaks and troughs, and the agonies and ecstasies, that have shaped Glastonbury’s 50 years and counting.

The last episode of the series talks about the most important city in the States. Stories that go from the early 40s until today. Interviews with Rick Rubin, Emmylou, Chris Martin, LL Cool J and Barack Obama. And a real statement about what is happening with the studios business nowadays. The song 'I Am A River' is recorded during this episode.

The film offers an in-depth and intimate portrait of the band's spectacular rise from the backrooms of Camden pubs to selling out stadiums across the planet. At the heart of the story is the band's unshakeable brotherhood which has endured through many highs and lows.
Using extensive unseen archive, behind-the-scenes and live footage, 'A Head Full of Dreams' sees the band reflect upon their two decades together. It was filmed during Coldplay's record-breaking A Head Full Of Dreams Tour, which was certified as the third biggest tour of all time, playing to more than 5.5 million fans across the world.
The film is directed by Mat Whitecross - director of Supersonic, the acclaimed 2016 Oasis documentary - who met the four friends at college in London, before they'd even formed the band. From the very first rehearsal in a cramped student bedroom, Whitecross has been there to capture the music and the relationships on tape.

'Every show is different. When the lights go down that's 30,000 people's lives colliding... for that one moment. Everyone that's there working or watching is there for that moment. It's when you're all kind of in agreement about what you're all doing at that time... so it's a wonderful feeling of togetherness and possibility Then I start getting real adrenaline... and start doing 'Rocky' shadow boxing and all that kind of stuff.
So I get as excited as anyone else. And I still get that excitement when I go and see anyone else's concert. I love that moment. And then it's about trying to hold that energy for an hour and a half... because it can go if you're not careful Whilst it might not be perceived as cool to be really enthused by the fact that people show up to hear your music... we don't really give a f***, we really love that and it's exciting, you know?'

Coldplay Live 2012 was the band's first concert film/live album for nine years. It documents their acclaimed Mylo Xyloto world tour, which has been seen by more than three million people since it began in June 2011. Directed by Paul Dugdale, Live 2012 includes footage from Coldplay's shows at Madrid's Plaza de la Ventas, Montreal's Bell Centre and the band's triumphant Pyramid Stage headline performance at Glastonbury 2011.