In 2014, the International Space Station had to move three times to avoid lethal chunks of space debris and there is an increasing problem of satellites mysteriously breaking down. With first-hand accounts from astronauts and experts, know the scale of the problem of space junk. Our planet is surrounded by hundreds of millions of pieces of junk moving at 17,000 miles per hour. Now the US government is investing a billion dollars to track them, and companies around the world are developing ways to clear up their mess - from robot arms to nets and harpoons. Learn the science behind the hit film Gravity and discovers the reality is far more worrying than the Hollywood fiction.

It sounds like a Hollywood blockbuster: a deadly asteroid is on a collision course with Earth. But in reality, it's only a matter of time before a giant space rock threatens to wipe out civilization. An asteroid took out the dinosaurs sixty-five million years ago. Are we next? This episode analyzes the threat and explores the many ways--from a nuclear bomb to ingenious new technology--that experts are proposing to stop Armageddon

This documentary looks at the remarkable genius of Orson Welles on his centenary - the enigma of his career as a Hollywood star, a Hollywood director (for some a Hollywood failure), and a crucially important independent filmmaker. Orson Welles's life was magical: a musical prodigy at age 10, a director of Shakespeare at 14, a painter at 16, a star of stage and radio at 20, romances with some of the most beautiful women in the world, including Rita Hayworth. His work was similarly extraordinary, most notably Citizen Kane, (considered by many to be the most important movie ever made), created by Welles when he was only 25. In the years following Citizen Kane, Welles's career continued to change as he made film after film (some never finished, many dismissed) and acted in other projects often to earn money in order to keep making his own films. Magician features scenes from almost every existing Welles film, from Hearts of Age, (which he made in a day when he was only 18 years old) to rarely-seen clips from his final unfinished works like The Other Side of the Dream, The Deep, and Don Quixote, as well as his television and commercial work.