A group of brave individuals risk their lives to save the last of the world's mountain gorillas; in the midst of renewed civil war and a scramble for Congo's natural resources." Virunga National Park in the Congo is a place of unique natural beauty. It is the home to a plethora of wonderful animals and vegetation but as is so often the way, it has several serious problems that threaten it. It's the location of human violence, corruption and exploitation. The disasters that specifically loom are two different groups, the M23 and SOCO International. The former are a violent rebel force who engages in an ongoing civil war with the Congolese government and the latter are a British energy company who specialise in oil exploration. Both M23 and SOCO invade the park in their own ways and neither seems very interested in the laws that have been set up to protect the flora and fauna that exist there, far less the people who live there. It seems hardly surprising in the case of M23, as they are a paramilitary organisation who can hardly be expected to be concerned with such things but it is the more legitimate big business SOCO who seem more worrying if anything. We discover in fact that they have been involved in a bribery campaign, utilising M23 as enforcers. It's a very murky situation where big money walks all over an impoverished nation and disregards a natural space that they can see no value in in their pursuit of financial profit.

This series shines a spotlight on the influential builders, dreamers and believers whose feats transformed the United States, a nation decaying from the inside after the Civil War, into the greatest economic and technological superpower the world had ever seen. The Men Who Built America is the story of a nation at the crossroads and of the people who catapulted it to prosperity. In the first episode, Cornelius Vanderbilt grows from a steamboat entrepreneur to the head of a railroad empire, and gets into a heated rivalry with Jim Fisk and Jay Gould; the up and coming John D. Rockefeller founds Standard Oil. Many business owners lay their own rail lines which leads to the Panic of 1873. Later, Rockefeller starts to expand his wealth by diverting his business from the railroads to a new innovation, oil pipelines.

A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into Cameraperson, a tapestry of footage collected over the twenty-five-year career of documentary cinematographer Kirsten Johnson. Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality and crafted narrative.
A hybrid work that combines documentary, autobiography, and ethical inquiry, Cameraperson is both a moving glimpse into one filmmaker's personal journey and a thoughtful examination of what it means to train a camera on the world.

A documentary feature on the explosive narco culture, a phenomenon blurring the lines between war and entertainment. To a growing number of Mexicans and Latinos in the Americas, the Narco Traffickers represent the only models of fame and success, the only way out of the ghetto. This is the untold story behind the drug war, an unstoppable cycle that has created a culture of addiction on both sides of the border — addiction to the vanity of money, drugs and violence. These are the personal stories of those entangled in this war, from the musicians who profit by glorifying violence, to the man who collects the bodies the morning after.

In 2006, an Iceland-based outfit called The Sunshine Press launched the website WikiLeaks.org. As run by Australian Internet activist Julian Assange, the site's mandate involved regularly publishing top-secret documents and covert information, often regarding governments and their respective military operations". As might be expected, this set off a firestorm between those who admired the organization's bravado and resourcefulness, and those who argued, not unjustly, that the dissemination of data regarding such events as the U.S. war in Afghanistan could put untold numbers of lives at risk. In We Steal Secrets, Gibney relays the story of the WikiLeaks website from the inside, and moves beyond black and white to penetrate a complex network of activity guided by courage and idealism but also allegedly guilty of ethical insensitivity and hypocrisy. Acclaimed documentarian Alex Gibney (Enron: The Smartest Guys in the Room) takes the reins for this no-holds-barred look at one of the most unusual phenomena of early 21st century media.

The Culture High is the riveting story that tears into the very fibre of modern day marijuana prohibition to reveal the truth behind the arguments and motives governing both those who support and those who oppose the existing pot laws. With budgets to fight the war reaching billions and arrests for simple possession skyrocketing to nearly a million annually, the debate over marijuana's legality has reached epic proportions. "The Culture High raises the stakes with some of today's biggest names, unprecedented access to footage previously unobtainable, and incredibly moving testimonials from both sides of the spectrum. Top celebrities, former undercover agents, university professors and a slew of unforgettable characters from all points of view come together for an amusing yet insightful portrait of cannabis prohibition and the grasp it has on society as a whole. "The Culture High" will strip search the oddity of human nature and dare to ask the question: What exactly is going on here?